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Image 1 - Fingerprint Shino. This glaze and the way to fire it were discovered by using a combination of the grid method and draw trials. Essentially it is a relatively long firing used to mature the glaze at a temperature much lower than usual. One of the results is that the glaze is so stiff it does not move at all and even a fingerprint frozen into the glaze during application will still show all the finest spiral marks of the finger after the firing. I call this new variant on a very old Japanese glaze "Fingerprint Shino". You can see a magnified version of this image (and others on this page) by clicking on it. | |
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Image 2 - Teabowl by Ian Currie - Fingerprint
Shino glaze - Reduction fired to 1220 deg C. This pot and others illustrated on this page were made in mid-2002 as experiments and gifts for friends and also workshop organizers. If you would like to own a pot like these, organize for me to conduct a glaze workshop near you. If you would like to understand full details of how these pieces were achieved, attend one of the workshops. For details contact ian-website@currie.to |
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Image 3 - Sake Cup by Ian Currie - Fingerprint Shino glaze - Oxidation fired to 1220 deg C. | |
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Image 4 - Sake Cup by Ian Currie - Fingerprint Shino glaze - Reduction fired to 1220 deg C. | |
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Image 5 - Sake Cup by Ian Currie - Fingerprint Shino glaze - Reduction fired to 1220 deg C. | |
 Sake Cup, Shino Reduced |
 Sake Cup, Shino Reduced |
 Sake Cup, Shino Reduced |
 Tea Bowl, Shino Reduced |
 Tea Bowl, Shino Reduced |
Tea Bowl, Shino Reduced |
 Sake Cup, Shino Reduced |
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